In the first blockbuster sale of the 2010 Sundance Film Festival, Lionsgate has bought the claustrophobic thriller “Buried” following an aggressive negotiation Sunday. The studio behind the Sundance hits “Open Water,” “Saw” and “Precious: Based on the Novel ‘Push’ by Sapphire” paid about $3.2 million for the film’s North American distribution rights, getting a movie that attracted several other interested distributors, most notably Fox Searclight. The $3-million movie by Spanish director Rodrigo Cortes screened to a raucous crowd at 11:30 p.m. Saturday and the bidding on the film with sales agent United Talent Agency started in earnest as soon as the sun rose Sunday morning. Joe Drake, Lionsgate’s motion picture group president, watched the 94-minute movie back in Los Angeles, after his distribution executives saw the film in its initial Park City at Midnight screening. With Drake’s enthusiastic support, the distribution deal was wrapped up quickly. “‘Buried’ is a powerful reminder that all you really need for an unforgettable movie experience is a great story, inventive filmmaking and brilliant acting,” Jason Constantine, Lionsgate’s president of acquisitions and co-productions, said in a statement. The movie unfolds entirely within the confines of a coffin buried somewhere in Iraq. Trapped inside the cramped wooden box is Paul Conroy (“The Proposal’s” Ryan Reynolds), a civilian truck driver who has been captured following a roadside bombing of his convoy. His unseen captors are seeking a $5-million ransom, and Conroy has only a mobile phone (with a dying battery) to somehow try to raise the money. As Conroy calls everywhere seeking help, he is met with answering machines from loved ones, heartless corporate bosses and ineffectual rescuers. Conroy has a cigarette lighter to see around the coffin, which is quickly filling with sand, when not visited by a long snake. As time is running out, Conroy becomes increasingly desperate. Among other companies interested in the film, according to people close to the talks, was Fox Searchlight. Some of the festival’s most prominent distribution executives — including from Fox Searchlight — were not at the midnight screening, instead seeing the movie Sunday morning in a public screening at Salt Lake City’s Broadway Centre Cinemas. Because Drake’s Los Angeles screening started earlier, Lionsgate gained the inside negotiating advantage, according to people familiar with the deal, and the studio rushed to close the deal before the Salt Lake screening was finished. At least one other bidder feared the asking price was too high. Working from screenwriter Chris Sparling’s original script, “Buried” director Cortes shot the movie in Barcelona, using seven coffins (some with removable sides to accommodate cameras) to shoot the actions. Reynolds says he suffered from countless burns and splinters in making the movie, and did not use a stunt double for the movie’s most harrowing scenes. Early fan boy reaction was positive. Lionsgate did not immediately say when it was releasing the film, but it could be in theaters as early as late spring. With its marketing commitments for the film, Lionsgate’s overall deal could reach $10 million. Sales have been particularly slow at the 26th annual festival for movies made outside the studio system, considered the nation’s most important film festival. Many of the festival’s earliest — and most star-laden –movies did not sell in the hours (and even days) after their first sales screenings. Instead, the buyers’ attention was focused on smaller genre titles like the low-budget road comedy “Douchebag,” the digital-age romance documentary “Catfish” and the Afghanistan war documentary “Restrepo.” Among the high-profile movies that did not immediatelty sell were Ben Affleck and Kevin Costner in the layoff story “The Company Men,” Natalie Portman and Joseph Gordon-Levitt in the dark comedy “Hesher,” Kristen Stewart and James Gandolfini in the runaway redemption tale “Welcome to the Rileys” and James Franco as poet Allen Ginsberg in “Howl.”
“Billy Elliot The Musical” swept the top U.S. theater honors on Sunday, winning 10 Tony Awards for a Broadway season that defied a recession with record ticket sales. “Billy Elliot” is based on Oscar-nominated director Stephen Daldry’s 2000 film about a ballet dancing schoolboy in a mining town in northern England. Elton John, who suggested the film be adapted for theater, wrote the music for the production. “We came here at a hard time economically, you opened your wallets and your hearts to us and we love you for it,” said John, one of Britain’s best-known musicians whose hit songs include “Candle in the Wind” and “Rocket Man.” “Billy Elliot” was named best musical and the three teenage actors who play the title role — David Alvarez, Trent Kowalik and Kiril Kulish — were all named best actor in a musical, the first time three actors have shared the award. “We want to say to all the kids out there who might want to dance, never give up,” Kulish said. Daldry, who won best musical director, said the boys were “three great gifts of Broadway” and that he was “blessed in the past 10 years of my life to be working on ‘Billy Elliot.’” The show has also played in Britain and Australia.
Gregory Jbara won best featured actor in a musical for his role as Billy’s father and the show also won best book of a musical and scenic, lighting, sound and choreography awards. It tied with “Next to Normal” for best orchestration.
Alice Ripley was named best actress in a musical for her role as a bipolar suburban housewife in “Next to Normal,” which also picked up best original score, beating nominees including Elton John and Lee Hall for “Billy Elliot” and Dolly Parton for “9 to 5: The Musical.”
“Billy Elliot” had matched the record number of Tony Award nominations set by “The Producers” in 2001, picking up 15 nods. “The Producers” went on to win a record 12 awards.
“Hair,” the new production of the groundbreaking 1960s musical, won the Tony for best revival of a musical.
LIZA AND LANSBURY AMONG WINNERS
“God of Carnage” — with an all-star cast of “Sopranos” star James Gandolfini, Marcia Gay Harden, Hope Davis and Jeff Daniels — picked up the most awards for a play, winning best play, director of a play, and best actress for Harden.
“God of Carnage” director Matthew Warchus beat himself — he was also nominated for best director for “The Norman Conquests,” a trilogy of comedies that came to Broadway from a sold-out run in London, which won the Tony best play revival.
Liza Minnelli won the best special theatrical event Tony for “Liza’s at the Palace,” which featured a musical tribute to the 1940′s nightclub act of her godmother, Kay Thompson.
“This is exquisite,” a breathless Minnelli said. “I thought my beautiful man over there was going to win,” she added, referring to comedian Will Ferrell, who was nominated for “You’re Welcome America. A Final Night with George W. Bush.”
Veteran British actress Angela Lansbury, 83, won her fifth Tony Award — best featured actress in a play for her performance in “Blithe Spirit” — tying the record for the most Tony Awards won by an actress set by Julie Harris.
“I never believed in my wildest dreams I would have an opportunity to get another Tony,” Lansbury, best known for her long-running role in TV series “Murder, She Wrote.”
Oscar winner Geoffrey Rush, a veteran of the stage in his native Australia, won best actor in a play for his Broadway debut in “Exit the King.” “I’m a slow learner,” Rush, 57, joked with reporters of his late bow on the Great White Way.
The Tony Awards were established in 1947 and are named for Antoinette Perry, whose nickname was Toni. Perry, who died in 1946, was an actress, stage director and philanthropist who was a founder of the American Theater Wing.
Around 750 people from the theater industry — from actors, to directors to journalists — vote for the Tony Awards.
The Broadway League says the 39 theaters in the famous district contribute $5.1 billion per year to the economy of New York, on top of ticket sales, and support 44,000 jobs.
Broadway’s paid attendance was 12.15 million tickets, down from 12.27 million the previous season, but gross takings rose $6 million, or 0.6 percent, to $943.3 million, beating the previous record set in the 2006/07 season of $938.5 million.
The 63rd Annual Tony Awards On the stage at New York City’s Radio City Music Hall. The three-hour ceremony will be broadcast live (ET/PT time delay) on the CBS Television Network from 8:00 – 11:00 p.m. Additional performances for the 63rd Annual Tony Awards® Telecast were announced today. Dolly Parton along with the cast of 9 to 5: The Musical; Elton John with the cast of Billy Elliot, The Musical; Liza Minnelli; Stockard Channing; and the band Poison along with the cast of Rock of Ages, will be taking the stage, joining previously announced performances by this year’s Tony-nominated Best Musicals and Best Musical Revivals, including: Billy Elliot, The Musical; Guys and Dolls; HAIR; Next to Normal; Pal Joey; Rock of Ages; Shrek the Musical; and West Side Story. Celebrating Broadway across America – this year’s Tony Telecast will also feature some of Broadway’s favorites who are currently touring cities across the United States – Jersey Boys, Legally Blonde The Musical and Mamma Mia! Becky Gulsvig, who is on tour as Elle Woods in Legally Blonde, The Musical, will perform a number from the hit show. The Jersey Boys performance will feature five current actors who are currently playing the role of Frankie Valli, in various performances – Joseph Leo Bwarie, representing the Toronto company; Rick Faugno, representing the Las Vegas company, Courter Simmons, representing the national tour and Dominic Scaglione, Jr. representing the Chicago company, will perform a number together from the show. Michelle Dawson, Kittra Wynn Coomer and Rachel Tyler, currently on stage, as the Three Dynamos at the Pioneer Center in Reno, Nevada will perform a number from Mamma Mia! Presenters for the 63rd Annual Tony Awards include, Lucie Arnaz, Kate Burton, Kristin Chenoweth, Jeff Daniels, Hope Davis, Edie Falco, Will Ferrell, Carrie Fisher, Jane Fonda, Hallie Foote, James Gandolfini, Lauren Graham, Colin Hanks, Marcia Gay Harden, Nicole Kidman, Anne Hathaway, Jessica Lange, Frank Langella, Angela Lansbury, Samantha Mathis, Audra McDonald, Lin-Manuel Miranda, David Hyde Pierce, Piper Perabo, Oliver Platt, Susan Sarandon, Kevin Spacey, John Stamos and Chandra Wilson. Hosted by Neil Patrick Harris, The Tony Awards will be broadcast live in HD, from Radio City Music Hall on CBS, Sunday, June 7th, 8:00 – 11:00 p.m. (ET/PT time delay). The 2009 Tony Awards are presented by the Broadway League and the American Theatre Wing. To view the live Tony Awards pre-telecast, featuring the Creative Arts Awards, please log onto www.TonyAwards.com at 7:00 p.m. (EST) on Sunday, June 7th. For the first time ever, fans in the New York area are invited to watch the Tony Awards simulcast in Times Square. Live from Radio City Music Hall, the Tony Awards will be simulcast on the Clearchannel Spectacolor HD Screen, from 7:00 p.m. – 11:00 p.m. and will feature the pre-telecast Creative Arts Awards and the Tony Awards broadcast. Seating will be provided in Duffy Square.
About Tony Awards
The 2009 Tonys are presented by The Broadway League and the American Theatre Wing. At The Broadway League, Nina Lannan is Chairman and Charlotte St. Martin is Executive Director. At the American Theatre Wing, Theodore S. Chapin is Chairman and Howard Sherman is Executive Director. For Tony Award Productions, Alan Wasser and Allan Williams of Alan Wasser Associates are the General Managers.
Ricky Kirshner and Glenn Weiss/White Cherry Entertainment are Executive Producers of the 2009 Tony Awards. Mr. Weiss will also serve as Director of the 2009 Tony Awards.
The official partners of the Tony Awards are Visa, the exclusive card accepted at
the Tony Awards; and IBM, which develops, designs, and hosts the official Tony Awards web site, www.TonyAwards.com.
The official supporters of the Tony Awards are Continental Airlines, the official airline of the Tony Awards; and Sprint, the official communications provider of the Tony Awards. The presenting sponsor of the Tony Awards Red Carpet is Audemars Piguet.
Promotional and media partners for the 2009 Tony Awards include USA Today, Van Wagner Communications, Clear Channel Spectacolor, Macy’s, TheaterMania.com, and BWYNOW (299669) The Mobile Way to Broadway.
When the stardust settles at the Tonys tonight, the annual pageant of Broadway’s best may be renamed the Billys. We’ll be hearing that boy’s name a lot. The evening’s biggest award — Best Musical — will go to “Billy Elliot,” a blockbuster hit about a miner’s son who escapes a hard-luck life through ballet. More than just feel-good, it’s superbly realized and celebrates the fact that real talent shines even in the bleakest of surroundings. That’s pure Tony bait — and it deserves to win. “Billy” will also dance away with awards for direction (Stephen Daldry), book (Lee Hall) and choreography (Peter Darling) and collect precious metal for its set, lighting and sound design. One of the hard-to-call categories is Best Original Score. “Next to Normal,” a challenging musical about a family’s struggle with mental illness, will triumph. Elton John’s songs for “Billy Elliot” are good, and a few anthems even better than that. But Tom Kitt and Brian Yorkey’s “Next to Normal” score is the best of the season, one that explores many emotions and expresses them beautifully through song. Voters will recognize that. David Alvarez, Trent Kowalik and Kiril Kulish, the teens who sing, dance and act their way through the role of Billy Elliot, are (toe)shoo-ins. Likewise, Alice Ripley, who gives a career-defining star turn as the troubled mom of “Next to Normal,” had better be polishing her acceptance speech for Best Leading Actress in a Musical. Some forecasters see Gregory Jbara, the hard-edged but devoted dad in “Billy Elliot,” winning for Featured Actor in a Musical. He’s terrific, but Christopher Sieber’s hilariously showy antics as the tiny tyrant in “Shrek the Musical” make a bigger impression. That will give Sieber, who performs the whole show on his knees, the leg up. “Shrek” will also chalk up a victory for its colorful, storybook-style costumes. Best Featured Actress in a Musical is a showdown between Karen Olivo in “West Side Story” and Haydn Gwynne in “Billy Elliot.” Olivo is a force to reckon with as Anita and leads a dizzying version of “America.” Gwynne captivates as Billy’s tough-but-tender teacher who is thrust into a drama that’s bigger than her own ambition. In the photo finish, it’ll be Gwynne. For the coveted Best Play prize, “God of Carnage” will feel the love from Tony voters. Yasmina Reza (who’s won before, for “Art”) has written a vinegary, very funny social satire that’s a bona-fide hit. All four “Carnage” leads — Marcia Gay Harden, Hope Davis, Jeff Daniels and James Gandolfini — are vying for Tonys. Oscar winner Harden will expand her trophy case for her finely calibrated, deliciously demonstrative take on a Brooklyn wife and mother whose nice veneer hides something far nastier. If “33 Variations” had been a better play, Jane Fonda, who played a dying music scholar, would be stiffer competition. Geoffrey Rush will leave Radio City Music Hall as Best Leading Actor in a Play for “Exit the King.” Going from clownish to poignant with nary a misstep, the “Shine” Academy Award winner breathed life beautifully into Ionesco’s dying monarch.
Angela Lansbury and Roger Robinson, nominated for Featured Actress and Actor in a Play, both play visionaries — quirky English psychic in “Blithe Spirit” for her; eccentric Pittsburgh mystic in “Joe Turner’s Come and Gone” for him. I see them both going home with Tonys. It’ll be his first and her fifth. Broadway revivals seek to make everything old new and exciting again. The hippie-happy “Hair” will be crowned Best Revival of a Musical. The comic trilogy “The Norman Conquests” will live up to its title and win for Best Revival of a Play. Matthew Warchus will go home with a Tony for his direction of “Norman.” “Liza’s at the Palace,” starring a Certain Legend with a Z, will win for Best Special Theatrical Event. It was fun having Will Ferrell on Broadway and I hope he comes back again with something fresher than a George Bush routine. But anyone who saw Liza Minnelli earn one standing ovation after another got a lesson on why it’s called a “special event.”