End Of The Road and Bestival
The Low Anthem announce UK festival dates
With tickets selling fast for their two shows at the Slaughtered Lamb next month, and with a much bigger London date currently being scheduled for June, THE LOW ANTHEM have just announced news of numerous UK festival appearances this summer. The Low Anthem will be performing at Glastonbury, Hard Rock Calling, Wireless, End Of The Road and Bestival, info below,
Wednesday 13 May – LONDON – The Slaughtered Lamb
Thursday 14 May – LONDON – The Slaughtered Lamb
Saturday 16 May – BRIGHTON – Horatios @ The Great Escape
Friday 26 June – GLASTONBURY – Glastonbury Festival (Q Stage)
Saturday 27 June – GLASTONBURY – Glastonbury Festival (Park Stage)
Sunday 28 June – LONDON – Hard Rock Calling
Saturday 4 July – LONDON – Wireless Festival
Friday 11 September – DORSET – End of the Road Festival
Saturday 12 September – DORSET – End of the Road Festival
Sunday 13 September – ISLE OF WIGHT – Bestival
THE LOW ANTHEM look set to be one of the success stories of 2009, Their sublime music ranges from evocative folk ballads sung in gorgeous falsettos to garage-roots rockers in a Tom Waits bar-room style, The Low Anthem are a folk rock trio from Providence, Rhode Island, United States. They formed in 2003 and consist of multi-instrumentalists Ben Miller, Jeff Prystowsky and Jocie Adams. The Low Anthem began as a contemporary folk duet from Providence, RI. Member’s Ben Miller and Jeff Prystowsky met playing in the wood-bat leagues of rural Connecticut in 2003. They began a collaboration with classical composer Jocie Adams in November 2007. Their landmark 2007 release “What the Crow Brings” was independently produced by the band and has received great acclaim from major press across the country. Their rapidly expanding fan-base spans all ages remarkably, as the duo appeals to hipsters, housewives and grandparents equally. Writers have typically drawn comparisons to Tom Waits, Neil Young, and Bob Dylan, but you will hear strains in their music from remote Appalachia to the Delta; an urban immediacy, and a timeless grounding in the great American roots music traditions. Rolling Stone says the music on Charlie Darwin feels “homemade” and “solemnly beautiful,” and NPR Music called the song “To Ohio” a “tender stunner” in choosing it as a Song of the Day, saying, “At times languid and haunting, but with detours into Tom Waits-esque stomping and hollering, The Low Anthem’s music seems equally informed by Simon & Garfunkel, Bob Dylan, The Band and a late-night ride home in Joni Mitchell’s car.” The band recently performed six sets at SXSW, where the BBC called them “stunning” and said, “Expect much flowerier words of praise thrown on this band in the future; they deserve everything said about them.” Mojo describe their set as “heartbreaking” and called the band, “truly startling songwriters and instrumentalists. Theirs is a gloriously romantic vision of America that sits somewhere between Dylan and Waits.” The New York Times wrote: “At the Central Presbyterian Church, the Low Anthem, from Providence, R.I., harmonized on slow, sustained songs — often waltzes — using instruments like harmonium, clarinet, some kind of small euphonium and a set of metal
discs played with a bow for eerie high tones, perfect accompaniment for lines like “Oh, my God, the water’s all around.” Most of the music was stately and mournful, with lyrics contemplating faith, loss, destruction and self-destruction in visionary imagery: “They say the sky’s the limit/The sky’s about to fall.” Every so often, making the quiet songs sound even quieter, the Low Anthem played something electric, bluesy and distorted, but equally serene in its desolation.” The Low Anthem, which recently signed to Nonesuch, has shared the stage with Rachael Yamagata, Lisa Hannigan, Ray Lamontagne and Elvis Perkins in Dearland. This summer they will re-release Oh My God Charlie Darwin with Nonesuch and Bella Union in Europe, and will play Bonnaroo, Glastonbury, and Hyde Park festival in London with Bruce Springsteen and the Dave Matthews Band.
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