Little Boots, The Horrors and Mystery Jets all join the Field Day line-up along with dancehall queen Santigold playing one of just two exclusive UK dates all summer, the other being Field Day’s ‘little brother’ Underage Festival. Juana Molina also confirms her spot. Field Day is London’s quintessential festival with a line up that will be hard to find elsewhere. Keep your eyes peeled for future line up announcements and for the latest news visit – www.fielddayfestivals.com
FULL LINE UP SO FAR:
MOGWAI , TOUMANI DIABATE , FOUR TET , EROL ALKAN ,JAMES YORKSTON , APES AND ANDROIDS , FINAL FANTASY , MALCOLM MIDDLETON , AEROPLANE , FENNESZ , ERRORS , SKREAM , S.C.U.M , FIRST AID KIT
FIELD DAY 2009
VICTORIA PARK, GROVE ROAD, TOWER HAMLETS, LONDON, E3
SATURDAY 1ST AUGUST
11.30 – 10.30PM
PRICE – £29.50 + BOOKING FEE
With a line-up already crammed full of fans’ favourites OXEGEN 2009 is shaping up to be the music event of the summer. The great and good of Rock ‘n’ Roll are coming from all over the world to play for you this July. Today, we are delighted to announce the latest star players to be added to the musical team sheet. Turntable-maestros 2 Many DJs have been added to Friday’s line-up. Renowned for pioneering the mash-up scene, the Belgian duo have recently been busy working with the likes of Daft Punk and Gorillaz.
Fans can also look forward to the soulful and bluesy vocals of James Morrison. Still only 24, he’s already been compared to the likes of the mighty Otis Redding and Van Morrison. Scottish post-rock pioneers Mogwai bring their own wall of sound to Friday. This critically acclaimed 5 piece always deliver an outstanding, often deafening live show. Regina Spektor is a unique singer songwriter that cannot be pigeonholed. Her undoubted talent embraces influences as diverse as folk, punk, rock, hip-hop and jazz. Check out a virtuoso at work on Saturday. With 18 top 20 singles including classics such as ‘The Day We Caught The Train’ and ‘The Riverboat Song’, Ocean Colour Scene will need no introduction to the OXEGEN masses on Friday. It’s a big welcome back to Maximo Park who last rocked out in 2007. Their eagerly anticipated third album ‘Quicken the Heart’ is due out on May 11th and OXEGEN is the place to experience it live on Saturday. The Hours have an enviable music pedigree, with members Antony and Martin having worked with Pulp, Elastica, Black Grape and UNKLE. Now they have teamed up with their pal artist Damien Hirst on his new label,check out their cracking new single,’Big Black Hole’, due out today. A big, fresh sound for Friday night. Fresh from starring at SXSW and riding their ever-growing wave of buzz, You Me At Six will bring their provocative punk metal sound to the up for it OXEGEN crowd on Sunday. Since forming in the summer of 2004, Crystal Castles, the Toronto-based duo of Ethan Fawn and Alice Glass have amassed a cult following through their uncompromising and intense delivery, a slew of limited edition singles, and shows packed solely from word of mouth. Catch them on Saturday. Having supported Kings of Leon and The Killers on tour M83 come highly recommended. Jump into their dream pop sound on Friday. Described by The Guardian as an ‘Irish Outkast’, the Republic of Loose define themselves without any reference to anyone else other than a respectful nod to James Brown and The Rolling Stones. Nominated for 2 Meteor Awards this year, they add their funk-filled sound to Friday’s line up. BBC Sound of 2009 hot tip La Roux will go ‘In For The Kill’ on Sunday this year. Following their current support slot on Lily Allen’s UK tour and the forthcoming headline gig on NME’s 2009 Radar Tour, the annual new talent showcase will lead them nicely into their summer slot at OXEGEN.
OXEGEN artists announced so far:
FRI 10TH JULY
Blur, Snow Patrol, The Script, Keane, Lily Allen, James, Pendulum, Eagles of Death Metal, Ladyhawke, Fight Like Apes, Swedish House Mafia, Crookers, Dreadzone, God is an Astronaut, Tom Middleton, Aeroplane, 2 Many DJs, Mogwai, Ocean Colour Scene, The Hours, M83, Republic Of Loose
SAT 11TH JULY
Kings of Leon, Pet Shop Boys, Bloc Party, Elbow, Nick Cave & The Bad Seeds, Doves, Yeah Yeah Yeahs, TV on the Radio, Pete Doherty, The Mars Volta, The Game, The Saturdays, Squeeze, Hockey, Tiga, Digitalism, Gary Go, James Morrison, Regina Spektor, Maximo Park, Crystal Castles, La Roux
SUN 12TH JULY
The Killers, Razorlight, Nine Inch Nails, The Specials, Lady Gaga, The Ting Tings, Jane’s Addiction, Katy Perry, Manic Street Preachers, Paolo Nutini, Glasvegas, Florence and the Machine White Lies, Jason Mraz, Foals, Friendly Fires, of Montreal, Miss Kittin and The Hacker (Live), Hudson Mohawke, Wallis Bird, You Me At 6
Tickets for this year’s festival are on sale NOW and are priced at a 2008 price freeze of 224.50 Euro (incl. booking fee) for 3 day including camping ticket. For an extra 20 Euro fans can purchase a 4 day including camping ticket which will include Thursday campsite stay also.
Have you heard the one about Erol Alkan? The humble 12 year old maestro-in-the-making who sneaks out the window of his parents flat to play gigs for a tenner? About the bearded studio-sorcerer worshipped by bands and DJ’s half his age as a living electronic idol? About the kid in his early 20s who’s founded that Trash night in London where they’re playing Bowie and basslines at the same time?
I heard that he invented the mash-up. I heard that he created the second coming of French Touch just by remixing Justice’s “Waters Of Nazareth”. I heard he bought guitar music back from the grave. No, it was electronic music. Or was it reggae? I heard he once revived a Roland 303 just by looking at it. Didn’t you hear? He’s bringing psychedelia back? Wait – I heard he’s bringing Disco back? Didn’t you hear?
That’s the thing about Erol Alkan – hearing is believing. Until you’ve borne witness to one of his legendary live sets, poured headily over one of his meticulously crafted productions, or been catapulted to a sudden sonic nirvana by the dropping of one of his remixes, you might be justified for dismissing his existence as an extremely elaborate myth of the musical underground. After all, how can one man, still in his early thirties, have kept so many kids dancing for so long?
Look no further than the well-worn T-Shirt: L.O.V.E. is the answer. What kept Erol on the cutting edge of the independent and electronic scenes for the decade he ran Trash until its final night in January 2007, and at the forefront of bold new territories in the musical cosmos in the years that have followed, is his unwavering devotion to the music he plays. His studious interests across the sonic spectrum made it inevitable that at some point he would cross the boards and start to create music as well as play it, and in 2001 he took his first steps under the nom-de-guerre Kurtis Rush. His alchemical fusion of George Michael and Missy Elliot resulted in 24 carat party gold, and “Bastard Pop” was born, with Erol as one of it’s founding figureheads alongside Soulwax and Richard X, reaching its apex with Kylie performing Erol’s infamous ‘Can’t Get You Out Of My Head’ fusion with New Order’s ‘Blue Monday’ live at the 2002 Brit Awards. The Manchester legends, also one of Alkan’s favourite ever bands, loved it so much they returned the favour, often performing the ‘mash up’ live. Coupled with the electroclash earthquake that was rippling through London (epicentre: Trash, Monday nights), Erol found himself at the forefront of both movements, and with a gamut of notable new admirers and friends.
It wasn’t long before Erol was lending his magic touch to increasingly higher profile releases, with his remixes of Alter Egos’ ‘Rocker’ and Mylo’s ‘Drop The Pressure’ proving unavoidable on the dancefloors of 2004. Remixes for Bloc Party, Death From Above 1979 and The Chemical Brothers ensued, followed by Erol’s first truly legendary contribution to dance music’s canon: The Glam Racket Rework of Franz Ferdinand’s ‘Do You Want To’, which impressed the band so much that they incorporated elements of the remix into their live tour.
Erol’s profile was rapidly ascending, Trash was packed every Monday with a baying crowd of technicolour admirers and celebrity exotica yearning to witness the signature Alkan marriage of the electronic and the independent, but that didn’t curtail his quest for innovation. 2006 would see him take the covers off the mega-yacht he had been secretly building in his studio – his “Balearic Trilogy” of remixes; The Klaxons ‘Golden Skans’, Hot Chip’s ‘Boy From School’ and The Scissor Sisters ‘I Don’t Feel Like Dancing’. Those expecting saturated rock fuzz and thumping electronica were confounded; finding instead a trio of blissed out, spectral and unapologetically ambitious responses to the original material. All three remixes would become dance floor hits, despite the adventurous new sound, and compromise to Erol’s favourite remix work to date.
2006 also saw the beginning of studio collaborations with The Long Blondes, and in the producer’s role for the first time in his life. Asked to work on their debut single for Rough Trade, the session yielded ‘Fulwood Babylon’, a melancholic disco gem that found it’s way to every corner of the interweb. Among it’s many admirers were The Mystery Jets, who approached Erol to collaborate on a few tracks, resulting in a series of B-sides. These first tracks were to be only the very beginning of a long and fruitful recording relationship.
With such a studio intensive 2006, you might be forgiven for thinking that Erol’s live presence had taken a back seat, but you would be very much mistaken. The year saw him support Madonna (at Koko) and Daft Punk (at Global Gathering), and to cap it all off he was voted Mixmag’s prestigious DJ Of The Year award, as well as Best International Dj.
Fast forward to 2008, and the first Alkan studio alumni had released their own sophomore albums, with The Long Blondes critically acclaimed ‘Couples’, and Mystery Jets pop opus ’Twenty One’ featuring the UK hit singles ‘Young Love’ and ‘Two Doors Down’, both produced by Erol. Outside of those two carefully nurtured albums, Erol found time to unite with Franz Ferdinand to produce a cover of LCD Soundsystem’s ‘All My Friends’, record a couple of b-sides with genial art pop mavericks and Mercury Music Prize winners Klaxons, and to harness the mysterious powers of prodigal psych-prog rockers Late Of The Pier in the form of singles ‘Bathroom Gurgle’, ‘Space And The Woods’, The Bears Are Coming’ and ‘Focker’. The full Alkan produced debut album drops in late 2008.
And in truth, that’s only the half of it. For more than two years, on the odd nights of the year that he’s not duty bound to be Erol Alkan, he has been known to don the mantle of ‘Mustapha 3000’ and dabble in the mysterious rites of ‘Beyond The Wizards Sleeve’ – a warped balearic psychedelic brotherhood consisting of Erol and The Grid’s Richard Norris. Part folk astronauts, part electronic necromancers, they have reanimated songs by Midlake, Findlay Brown, Goldfrapp, and Tracey Thorn into beautiful, searing moments of euphoric bliss. Each remix wildly different to the next, The Sleeve (as they are known to their fans) continue, like Erol himself, to be impossible to pin down, having recently completed their first major work, a four part series of EP’s.
Whether he’s playing the latest in hardcore thrash or producing delicate anthems of spectral beauty, one thing’s for sure; music, truly fertile music, is never very far from Erol Alkan, and his sound can surely only continue to grow in the future. Haven’t you heard?
Victoria Park will be playing host to Erol Alkan, Toumani Diabate, Aeroplane, Fake Blood, S.C.U.M Final Fantasy, and First Aid Kit.
They will all be joining the already impressive line up that includes Mogwai, Four Tet, Malcolm Middleton, James Yorkston, Fennesz and Apes and Androids.
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