Justin hit the stage benefiting Shriners Hospitals for Children.

In Vegas this past Saturday Justin Timberlake brought together a diverse group of talented artists for his second-annual Justin Timberlake & Friends Concert, benefiting Shriners Hospitals for Children. Opening the event was Jay Sean with U.K.’s beat box champion MC Zani, performing Jay’s hit single “Down”. MTV VMA’s Best Female Video award winner, Taylor Swift followed, performing “You Belong With Me” and “Love Story.” JT introduced the next artist, Alicia Keys as “one of the greatest musicians of my generation”. As she strutted the stage in red pumps, she took a seat at her piano to vocalize “Doesn’t Mean Anything”. The night’s other performances included artists such as TLC, Ciara, Timbaland, Snoop Dog, and to cap off the evening, Justin himself, surprising the crowd with “Until the End of Time.” 

As both a member of NSYNC and a solo artist, Southern superstar Justin Timberlake has played a major role in the teen pop explosion of the ’90s and 2000s. Like similar teen pop favorites — who have included the Backstreet Boys, C-Note, Christina Aguilera, Hanson, the Spice Girls, and Britney Spears — Timberlake usually doesn’t get much respect from rock critics (who, in many cases, tend to be very alternative-minded and anti-commercialistic). Regardless, he is adored by millions of fans, many of whom have been adolescent girls. Over the years, the teen market has had a lot of different sounds. In the ’70s, for example, artists like Donny Osmond, the Partridge Family, David Cassidy, and the DeFranco Family were aimed at teens — those were the bubblegum popsters one typically read about in Tiger Beat magazine back then. But Timberlake is part of the more modern school of teen pop, which is mindful of dance-pop, urban contemporary, and hip-hop and got started with the rise of New Kids on the Block, Debbie Gibson, and Tiffany in the late ’80s. New Kids, in fact, were the male group that paved the way for NSYNC as well as the Backstreet Boys and Take That (who were meant to be a British equivalent of New Kids). And just as Tiger Beat (the bible of bubblegum) was obsessed with the New Kids in the late ’80s, it would become equally obsessed with NSYNC and the Backstreet Boys in the ’90s.

Like Spears (who Timberlake became romantically involved with), Aguilera, and NSYNC’s JC Chasez, Timberlake got his start on the Disney Channel’s ’90s version of The Mickey Mouse Club. Timberlake and Chasez were on The Mickey Mouse Club simultaneously in their pre-NSYNC days, and they kept working together when NSYNC was formed. NSYNC got started in Orlando, FL, in 1996, when Timberlake and Chasez teamed up with Lance Bass, Chris Kirkpatrick, and Joey Fatone. Released by RCA/BMG in 1998, the vocal quintet’s self-titled debut album sold millions of copies in both the United States and Europe and contained the smash hits “I Want You Back” and “Tearing Up My Heart.” NSYNC’s second album, No Strings Attached, was released on Jive in 2000 and was even more commercially successful; No Strings Attached went double platinum in only one week, and the singles “Bye Bye Bye” and “This I Promise You” became major hits.

Jive released Celebrity, NSYNC’s third album, in 2001, and after that, Timberlake started recording as a solo artist. The singer had performed live as a solo artist before NSYNC, but it wasn’t until the early 2000s that he actually recorded an album as a solo act. Justified, Timberlake’s first solo album, was released on Jive in November 2002. “Like I Love You,” the album’s first single, became a major hit and was followed by a second single, “Cry Me a River” (not to be confused with the melancholy Arthur Hamilton standard that was a hit for the late jazz singer/actress Julie London in 1955). Now a bona fide star — the album had reached number two on the Billboard 200 — and heartthrob to millions of girls, Timberlake continued his success by appearing on the Black Eyed Peas smash hit “Where Is the Love?” and in the halftime show at Super Bowl XXXVIII, where he pulled off part of co-performer Janet Jackson’s top in the now infamous “wardrobe malfunction” incident. That event, however, didn’t stop him from winning two Grammys that year, and though he stayed out of the studio for a few years in order to concentrate on acting opportunities, Timberlake returned to the music world in 2006 with his Prince-inspired FutureSex/LoveSounds, which featured production work from Timbaland and Rick Rubin, and was followed by a brief club tour.